The polarized response has helped its popularity, as though using it were to participate in a cultural debate about something new and surprising. Much of the reaction to Deep Nostalgia has been encompassed by those two choices, as if they naturally defined the continuum of opinion suitable for any new technology. Pee-wee Herman applied the technology to a childhood photograph of himself: “Creepy?! Or cool?!” he asked. Nero, Shakespeare, Nosferatu, even a photograph of a statue of Cicero. By this point, I’ve seen dozens of these animated images - people’s relatives, famous portraits, historical figures. In the days since its release, Deep Nostalgia went viral: As of March 4, millions of faces have been animated, with thousands of images animated per minute. In late February, the Tel Aviv–based online genealogy platform MyHeritage released a feature with the trademarked name Deep Nostalgia: a machine-learning-powered technology that animates uploaded images with a programmed series of facial gestures and movements that users can apply to any uploaded image. #DeepNostalgia bewegendes Tool! □ /eLwRKMYQCQ Last but not least: “Das Mädchen mit dem Perlenohrgehänge” von Vermeer, in animiert. These movements are a set sequence of events, a technological update to a centuries-old image. In this simulation, her eyes are shiny gray and bulbous, like a dead fish. She looks away again, and the left-hand corner of her mouth inadvertently twitches with the briefest of smiles. Looking over her shoulder, she stares off into the distance and then shifts her gaze to hold mine for a second. The first one I saw was the girl in Dutch painter Johannes Vermeer’s Girl With a Pearl Earring.
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